‘Write what you know’ is one of the most repeated and most tedious pieces of writing advice, though you’ll find plenty of good writers and teachers of writing who recommend the opposite and say ‘write what you don’t know’. I don’t think that’s quite right, either. The very best fiction, and especially the best short …
The road to your next piece of fiction is lonely, even if it’s crowded
Writing is remorselessly, pitilessly, ruthlessly solitary. Yet, for all that, the act can be performed perfectly well in a busy café, or surrounded by noisy kids or – my favourite place of all – on a train. But the process itself demands something meditative: the capacity to take your whole self into that part of …
Visiting Gogol’s ghost
Moscow in October is a city cooling down, readying itself for a long winter. Black winter coats are uniform, summer flower beds are empty, covered with colourful wood shavings to fool the eye with brightness, and the sky is a low lid of grey. The tourists have gone. It’s a good time to have the …